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Monthly Archives: September 2015

New CD captures energy, spirit of the Toronto Mass Choir

17 Thursday Sep 2015

Posted by Robert White in CD/Music Review

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CD Review, Choir, Christians and the arts, Gospel, Toronto Mass Choir, Worship

TMC - Made for Worship coverThe Toronto Mass Choir hits overdrive with the opening song of its 10th CD, Made for Worship – Special Edition, and doesn’t let up on its energy and vitality throughout.

For almost three decades, the Toronto Mass Choir (TMC) has eloquently translated traditional gospel, contemporary gospel and Caribbean-influenced songs from the music page to hand-clapping, soul-inspiring and life-changing concert experiences. The recently-released 10th CD is, in part, a re-release of its May 2014, Covenant Award-winning limited edition CD/DVD – with new content, arrangements.

Re-release or new, Made for Worship shines. Recorded live, the CD captures the effervescent spirit of the TMC from the rousing “Anthem of Praise” that opens the CD, to the “happy-clappy” (as described by TMC artistic director Karen Burke in an upcoming Arts Connection interview) traditional gospel medley titled “Havin’ Church” to the reggae version of Chris Tomlin’s and Lou Giglio’s “Holy is the Lord.”

Made for Worship captures the effervescent spirit of the Toronto Mass Choir

The CD follows the typical musical peaks and valleys of a traditional gospel concert, with slower tempo numbers like “You Are,” “Your Name,” “Tribute to the King” and “Made to Worship” surrounded by more up-tempo songs. This is where a choir’s energy can flag (something I’ve experienced playing with and listening to brass bands). To the choir’s credit, even at the slower tempos, the TMC members focus as much energy on these numbers as they do the rest.

Rounding out the excellence of the CD are: 1) top-notch musicians including Snarky Puppy’s drummer Larnelle Lewis (who also plays with the Mike Janzen Trio); and 2) excellent production by Corey Butler.

In the liner notes, TMC artistic director Karen Burke states: “We made a very intentional decision to name this project Made for Worship and not Made to Worship. It may seem a subtle change but when we remember that worship is not just something that we do, it was what we were created for…Everything else falls into place.”

With Made for Worship the listener is reminded that we were created for worship through every note and word the TMC sings.

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For more information on the Toronto Mass Choir check: http://tmc.ca/

“The End Begins”: what if today’s headlines became tomorrow’s history?

10 Thursday Sep 2015

Posted by Robert White in Book Review

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Book Review, Romance, Sara Davison, Speculative Fiction, Suspense, The End Begins, The Seven Trilogy

Seven front coverAll you have to do is read the news headlines to realize Sara Davison’s The End Begins isn’t that far-fetched.

Terrorist attacks on October 10, 2053 make 10/10 as significant as 9/11. The key difference? On 10/10 a group of radical Christians blew up seven mosques across Canada leading, of course, to the legal persecution of Christians.

Meryn O’Reilly, the heroine of The End Begins, runs a small, independent bookstore in Kingston, Ontario, which also happens to be home base for Army Captain Jesse Christensen. Sparks fly when the two first meet: the day the army invades Meryn’s church on orders to keep an eye on potential radicals.

Christians are subsequently threatened  with arrest, incarceration and/or punishment for “terrorist” activities such as owning, selling or hiding now-outlawed Bibles. Meryn runs afoul of the law, and Jesse, as sparks fly with each subsequent encounter. Since this is a romance/suspense/speculative fiction novel, the sparks are as varied as the circumstances that lead to them.

This, however, is one of the problems with The End Begins. Davison’s first novel, The Watcher was a suspense novel with an element of romance and resulted in a better read. The futuristic setting of The End Begins adds the problem of science fiction elements like the “i-com” communications devices. As an avid science/speculative fiction reader, I’ve always had a pet peeve with writers who try to come up with futuristic devices that either mimic current technology or seem illogically far-fetched. There were times The End Begins reminded me of the cheesy late 1970s end-times movies A Thief in the Night and A Distant Thunder.

 

Davison deftly avoids letting the conflicted attraction of this couple devolve into romantic cliches

And, unfortunately for a suspense novel, Davison tends to telegraph plot twists. I guessed, with the introduction of one character, what should have been a key surprise later in the novel.

Davison shines in character and relationship development. Meryn, a devout Christian, chafes at the legal restrictions placed on her. Jesse, an agnostic, runs away from the faith of his parents to his own dark night of the soul. Davison deftly avoids letting the conflicted attraction of this couple devolve into romantic cliches. She also creatively crafts the collision between Christensen’s head and heart, symbolized in the conflict he has with his commanding officer, and best friend, Major Caleb Donevan.

By setting The End Begins in the near future, the speculative fiction components of the novel clouds the clear focus of the book’s romance and suspense. In spite of these flaws, the novel is well worth reading – if only as a warning about what could happen if today’s headlines become tomorrow’s history. And, as the first book in “The Seven Trilogy” it will be intriguing to see where Davison takes her characters.

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The End Begins by Sara Davison (http://www.saradavison.org) is published by Ashberry Lane. The e-book is available from http://amazon.com

(Disclosure: Sara Davison and I were both winners of the 2010 Word Alive Press publishing contest, with Davison taking the fiction award for The Watcher, while the non-fiction award went to my book Chasing the Wind: Finding Meaningful Answers from Ancient Wisdom)

Keep God from getting lost in the craft

01 Tuesday Sep 2015

Posted by Robert White in Commentary, General

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Arts Commentary, Christians and the arts

Creación_de_Adán_(Miguel_Ángel)Does God get lost in the craft of our art?

I have to admit, after being a journalist for three decades, the craft of writing stories can – and sometimes has – become rote.

Working on an assignment recently reminded me of how much I need to keep God foremost in all I do. It started out as one of those days when everything seemed to go wrong. To top it all off, it seems my new domain service had problems with one of its servers – the one that held my e-mail accounts. Including the one with the e-mail that had the phone number of an interviewee whom I was already late calling.

I eventually tracked down the number, called, and in the normal chit chat mentioned the e-mail issues. The interviewee immediately offered to pray for the situation. Again, confession time: I have to admit my immediate thoughts were less than charitable. I needed to get to the interview and prayer seemed superfluous. (I later found out the server needed to be rebuilt and I was left without business e-mail for the day.)

“May our days begin in prayer,/Communing with our King,/May our hearts be filled with joy/As His praises now we sing.”

Upon later reflection, I realized I had become so focused on what I considered a routine task that I’d left God aside. And when reminded about it, I almost became resentful.

Perhaps our human tendency to rely on self is the reason two of the books on arts I’ve read recently place our relationship with God at the forefront.

The first section of InScribe Christian Writers’ Fellowship’s 7 Essential Habits of Christian Writers is titled “Time with God.” The section’s articles, short stories and poems all focus on ways in which the writer (or artist in general) can, and should, stay in touch with God. Sharon Cavers, in her poem “A Writer’s Prayer” suggests in the last verse: “May our days begin in prayer,/Communing with our King,/May our hearts be filled with joy/As His praises now we sing.”

J. Scott McElroy, in providing guidelines for beginning an arts ministry in his book Creative Church Handbook places “start praying now for God’s guidance” as number one and “invite artists to meet and pray” as third. “God has a plan for the arts and creativity in your church, and if you listen and wait he’ll share it with you and others,” writes McElroy about praying for God’s guidance.

While I haven’t taken a formal survey, I would hazard a guess that I’m not the first creative Christian who needed to be reminded that God needs first place in all I do, including the crafting of my art. And I probably won’t be the last.

 

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