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Category Archives: Book Review

Thin tome on preaching has much to say to artists

12 Thursday May 2016

Posted by Robert White in Book Review, Commentary

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Arts Commentary, Book Review, Christians and the arts, Frederick Buechner

Telling the Truth - coverA number of my writer friends have been fans of, or influenced by, the works of Frederick Buechner, an American writer, theologian and Presbyterian minister who has published more than 30 books. I’d yet to dive into Buechner but had him on my someday-read list.

A recent conversation with storyteller Brad Woods prompted me to shift Buechner to my to-read list. Brad and I were talking about a new play I’d been working on and he suggested a read through Telling the Truth: the Gospel as tragedy, comedy and fairy tale would be helpful.

Written to aid preachers, Telling the Truth shows how the gospels “record the tragedy of human failure, the comedy of being loved overwhelmingly by God despite that failure, and the fairy tale of transformation through that love” (from the book’s front cover flap).”

The more I read, the more I realized Telling the Truth had as much to say to me, as a writer, as it did a preacher. The used copy I bought from amazon.com was already marked in black, so I used a red pen to highlight what struck me as significant, like:

“But to preach the Gospel is not just to tell the truth but to tell the truth in love, and to tell the truth in love means to tell it with concern not only for the truth that is being told but with concern also for the people it is being told to…The preacher must always try to feel what it is like to live inside the skins of the people who he is preaching to, to hear the truth as they hear it.”

Let (the artist) use (art) which (does) not only try to give answers to the questions that we ask…but which help us to hear the questions that we do not have the words for asking…

The further into the book I delved, the more convinced I became that Buechner’s observations applied to all art forms. Writers, painters, sculptors, playwrights, actors, filmmakers, photographers, storytellers, singer/songwriters, etc. all want to share the truth of God’s love as found in the Gospel. Color, palette, imagery, metaphor, simile, realism, character, setting, etc. are the tools used to portray the truth that so many seek. Rephrasing Buechner, we can read:

“Let (the artist) use (art) which (does) not only try to give answers to the questions that we ask or ought to ask but which help us to hear the questions that we do not have the words for asking and to hear the silence that those questions rise out of and the silence that is the answer to those questions. Drawing on nothing fancier than the (art) of (the artist’s) own life, let (the artist) use (art) that help make the surface of our lives transparent to the truth that lies deep within them, which is the wordless truth of who we are and who God is and the Gospel of our meeting.”

Anyone who has read Buechner knows his books aren’t an easy read. I know I’ll find myself returning to Telling the Truth to try to glean a little more from his words. Until then, I take the book’s last paragraph as both a challenge and an encouragement:

“Let the preacher tell the truth. Let him make audible the silence of the news of the world with the sound turned off so that in that silence we can hear the tragic truth of the Gospel, which is that the world where God is absent is a dark and echoing emptiness; and the comic truth of the Gospel, which is that it is into the depths of his absence that God makes himself present in such unlikely ways and to such unlikely people that old Sarah and Abraham and maybe when the time comes even Pilate and Job and Lear and Henry Ward Beecher and you and I laugh till the tears run down our cheeks. And finally let him preach this overwhelming of tragedy by comedy, of darkness by light, of the ordinary by the extraordinary, as the tale that is too good not to be true because to dismiss it as untrue is to dismiss along with it that catch of the breath, that beat and lifting of the heart near to or even accompanied by tears, which I believe is the deepest intuition of truth that we have.”

 

Finding a fresh appreciation of the Psalms through word and music

05 Thursday May 2016

Posted by Robert White in Book Review, CD/Music Review

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Book Review, CD Review, Christians and the arts, Jamie Howison, Psalms, Steve Bell

I WIll Not Be Shaken - bookThe I Will Not Be Shaken collection provides an insight a songwriter’s creative process and a whole lot more.

The project has been in the works for a number of years, beginning with conversations between Bell and Jamie Howison – the pastor at St. Benedict’s Table, which Bell attends. An expression of the Anglican Church, St. Benedict’s Table features a strong emphasis on the arts and social justice. I Will Not Be Shaken simmered on the back burner of both men for a while before it finally came together and was released in 2015.

I Will Not Be Shaken has two components. One is a book co-written by Howison and Bell. Each chapter is based on one of Bell’s songs and begins with Howison’s theologicical and personal insights into both the Psalm and the song. While not theologically complex, Howison’s reflections are deep enough to frequently warrant a re-read, so his perspective can take root.

E.g., writing about Psalm 13 (Bell’s song “How Long”), Howison looks at the question of how long God’s people have to suffer:

“How about a direct, miraculous intervention here, Lord?…Maybe this time your blessed grace could be a bit more aggressive,” writes Howison. He answers his own question a number of paragraphs later with the observation: “So yes, the quick fix zapping would be nice, but it would not do a whole lot to deepen us to the reality of the changed circumstances.”

CD/book set provides an insight into how the songs were written and whole lot more

While the reader digests Howison’s offerings, the chapter changes voice and Bell provides an insight writing the song. Here Bell describes a turning point in his spiritual life: “The most profound disappointment of all was the unanswered request for a sense of God’s nearness that others reported, but which I didn’t experience.

“Then I heard a sermon on Psalm 13. The psalm was described as a complaint to God, about God. It staggered me. I didn’t know this could be an acceptable prayer. This song followed…as did the beginning of an adult prayer life.”

I WIll Not Be Shaken - CD coverSpeaking of Bell’s songs, the second component to the I Will Not Be Shaken set is a CD. It  comprises all 17 of the songs Bell has written or co-written that are based on the Psalms. Anyone who’s followed Bell’s career has heard most, if not all of these songs. The only addition is the last song, “Psalm 70:1,” a Taize-style song Bell wrote for a course on contemplative prayer he co-led at Regent College.

My only disappointment with the CD was the lack of musician credits in the lyric booklet (which does note the original album on which the song appeared). This is more of a personal peeve because I’m interested in who was involved in the production of the song (especially when I think I recognize a musician’s style and want to confirm it). I suspect, for many listeners, this won’t affect their enjoyment of the CD.

I found reading Howison’s insights, Bell’s reflections and then listening to the song added to my enjoyment I Will Not Be Shaken. As I suspect Howison and Bell hope, I came away with a fresh appreciation and new understanding of the Psalms. You will too if you give I Will Not Be Shaken a read and a listen.

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For more information on the I Will Not Be Shaken set, check http://signpostmusic.com/

To listen to an Arts Connection interview with Steve Bell and Jamie Howison, check http://tinyurl.com/zc5u9d6

Slim anthology adds Christian narrative to First Nations voices

27 Wednesday Apr 2016

Posted by Robert White in Book Review

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Anthology, Book Review, First Nations, Goldrock Press

First Nations Christian Writers Low res COVER for webIncreasingly, First Nations issues such as the suicide crisis in Attawapiskat, the results of the Truth and Reconciliation report and increased federal government funding to deal with these issues are headlining the news almost daily.

Into this myriad of voices comes a small anthology that brings a different perspective to these issues. First Nations Christian Writers – Volume 1 features 16 writers, from 14 year old Joshua Heath to two 78 year olds: Bernard Mason and Sylvia Polson. The diversity of writers from a variety of First Nations tribes and communities, ranging from Point Pelee, Ontario in the south to Cross Lake, Manitoba in the North, is one of the book’s strengths.

Most of the stories and poems are first-hand accounts, like Joshua’s look at the effects of the foster care system on his life or Mason’s account of how God answered his prayer a successful hunt in order to feed his family. Other stories look at some of the key issues facing First Nations people from both their ethnic and spiritual perspectives such as 19-year-old Naomi Peters submission, look at the missing and murdered women and Benjamin Paul’s experiences in a residential school.

The diversity of writers, with a wide-range of writing experience from novice to experienced, does make the flow in this anthology slightly uneven at times. While this can make it a bit difficult to read, it’s worth the effort. And don’t let the slimness of First Nations Christian Writers – Volume 1 fool you. There’s a lot to digest in those 80 pages.

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For more information on First Nations Christian Writers – Volume 1 check http://goldrockpress.com

To listen to an interview with First Nations Christian Writers – Volume 1 editor, Dorene Meyer, go to http://tinyurl.com/jdm2snz

 

“More Than Miracles” more than a simple history of the Scott Mission

14 Thursday Apr 2016

Posted by Robert White in Book Review

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Ben Volman, Book Review, Canadian culture, Christian, More Than Miracles, The Scott Mission

More Than Miracles coverThe Scott Mission first came to my attention in the late 1990s when I worked in the Salvation Army’s public relations department in Toronto. At the time, I saw the Scott as one of the myriad of Christian social service ministries serving those in need in the city.

Reading Toronto-area freelance journalist Ben Volman’s new book, More Than Miracles: Elaine Zeidman Markovic and the Story of the Scott Mission, gave me a new appreciation for the Scott, its ministry and the people who have served there.

Volman, with the eye of a journalist and heart of a pastor (he’s also the Toronto director of Chosen People Ministries and the spiritual leader of Kehillat Eytz Chaim/Tree of Life Messianic Congregation) tells of the triumphs and trials of the Scott and those closest to it: the Zeidman family.

A challenge of those writing histories is the delicate balance between glorifying the subject or tearing it apart. Volman manages to balance hagiography with the reality of the Scott’s struggles (especially after the untimely death of Alex Zeidman, its second director.)

While other histories of the Scott have been written – a fact noted by Volman – More Than Miracles recounts its history through the eyes of Elaine Zeideman Markovic, one of the four children of mission founders Morris and Annie Zeidman.

Markovic, along with her brothers Alex and David (who both became directors) and sister Margaret, all contributed in some way to the ministry of the Scott. In her 50-plus years of working at the Scott, Markovic filled a variety of behind-the-scenes roles and Volman sensitively recounts her own struggles with her place in ministry and her ultimate resolution to serve God in whatever role He chose.

One of the strengths of More Than Miracles is Volman’s choices as a writer. As someone who has also written organizational histories, I know the challenge of choosing which document or interview to quote from and how much should be quoted. Volman as struck the right balance between narrating the story and choosing from the myriad of Scott Mission’s ephemera and interviews he’d held. Volman has an uncanny knack for knowing when to speak as the author and when to let a diary entry, letter or person speak.

This sensitivity has led to a well-written book that was a joy to read. Whether you are familiar with the Scott Mission, or just have a passing knowledge of the “Miracle on Spadina,” More Than Miracles should take a place on your to-read list.

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For more information on More Than Miracles check http://castlequaybooks.com/index.php?main_page=product_info&products_id=101

Finding some advice along life’s highway

23 Tuesday Feb 2016

Posted by Robert White in Book Review

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Book Review, Devotional, Marcia Laycock, Travel

A Traveler's Advisory - coverIn the early 1990s, Canadian singer/songwriter Tom Cochrane said “Life is a Highway.” In Marcia Laycock’s latest book A Traveler’s Advisory: Stories of God’s Grace Along the Way she notes that even when the highway becomes a little bumpy, God is there to either smooth the way or get us through the rough patches.

The pocket-sized A Traveler’s Advisory (124-page, 8″ x 5″ book) packs more depth than it’s size would suggest. Laycock, an award-winning author, uses her experiences as a pastor’s wife, missionary and traveler as she looks at the highway of life in sections titled “In the Air,” “On the Road,” “On Vacation” and “Far Away Places.”

One of the strengths of the book is Laycock’s folksy writing style. Having met her at a number of writers’ conferences and interviewed her for Arts Connection, reading through A Traveler’s Advisory was like listening to her tell the stories in person.

Laycock weaves the memory and spiritual lesson into a seamless fabric

Take, for instance, this excerpt from her story “A Mini Parked Between Semis”:

I gripped the wheel of my Austin Mini and concentrated on the flow of traffic around me. I had never driven through this area before but I knew the route I had to follow would take me through the heart of a large city. There was no bypass to avoid the downtown traffic. I stayed in the middle lane to avoid vehicles turning left and right. As the city began to close around me, so did the traffic. I was already feeling a bit claustrophobic when a huge semi pulled up to my right. We both stopped at a red light.

Then another semi pulled up on my left. The two trucks effectively blocked out the sun. I glanced in my rear-view mirror just as a third semi pulled in behind me, stopping inches from my tiny bumper….”

The book’s other strength is the ease with which Laycock blends spiritual lessons into the narrative. I’ve read similar books where the lessons seem to be tacked on at the last moment as if to say: here’s the lesson, in case you didn’t get it.

Laycock weaves the memory and spiritual lesson into a seamless fabric. Again I turn to “A Mini Parked Between Semis”:

“I remembered looking into the rear-view mirror of my Austin Mini and seeing nothing but bumper. I remembered how those semis had blocked out the sun. And I remembered focusing on that stop-light, knowing that it would eventually turn green and let me get out of there. Sometimes life puts us in a box of pain and confusion. The only way to survive is to hang on to the One you know will get you out.”

A Traveler’s Advisory is a quick read, but a deep read. And a book that you’ll return to again and again because you’ll discover a new truth each time you read it.

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For more about Marcia Laycock and A Traveler’s Advisory: Stories of God’s Grace Along the Way go to http://marcialeelaycock.com/

Artist’s book a visual look at her inspirations

17 Wednesday Feb 2016

Posted by Robert White in Book Review

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Book Review, Christians and the arts, Faye Hall, Realism, Visual Arts

Art begets Art - coverWhen interviewing artists for the Arts Connection radio show, I usually ask them “where do you get the inspiration for your art?”

Winnipeg-based artist Faye Hall’s new book ART begets ART is a 40-page answer to that question.

As a child, one of Hall’s teachers recognized her artistic ability and suggested Hall’s parents encourage her. Which they did, leading her to a 20-year career in advertising design. Eventually, for various reasons that she mentions in the book, Hall turned to other pursuits – which included putting paintbrush to canvas.

Hall’s art is visually stunning. And when you begin to look at the details – the use of colour and meticulous brush strokes –  you’ll marvel at the amount of time and effort Hall must spend on each painting. Some of them are so realistic, they could be mistaken for the photographs which originally inspired the art.Art begets Art - Sunglasses

Which brings me to the book’s subtitle: “One Artist’s Inspiration.” Accompanying many of her paintings are the stories behind the art.

Sometimes, in the case of the image to the right, titled “Steve’s Sunglasses,” it’s a photo. In this case, one taken by singer/songwriter Steve Bell on a Canadian Foodgrains Bank-sponsored trip to Ethiopia.

Inspiration, Hall writes, “is like the presence of God. It can manifest in the texture of a tangle of branches in the woods, it can be an image that appears in my mind upon hearing the words of a poet or pastor – it can be the dapple of light reflected in the eyes of a loved child.”

Art begets Art - GuiteIn the case of “In Coleridge’s Wake” (left), inspiration came from a photo on social media of U.K. songwriter/poet/vicar Malcom Guite, which grabbed her attention.

“The image hit me like a pail of lake water thrown in my face – here was my next painting – and I was helpless to resist,” writes Hall of an image which has become one of my favourites in the book.

Each story, helps readers delve deeper into the heart and mind of an artist. The reader of ART begets ART comes away with a greater appreciation for the art Hall has crafted from her varied inspirations.

ART begets ART is a short book, but it’s a full book. Hall’s art and the reflections on her inspirations will keep readers coming back to the book again and again. I know that each time I’ve looked through it, I’ve come away with a new insight from her stories of inspiration or a new appreciation for one of her paintings.

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For more information about Faye Hall, check http://fayehall.com/.

For information on ART begets ART check http://www.friesenpress.com/bookstore/title/119734000022127417

Watch for details about an upcoming Arts Connection interview with Faye Hall

More “Hot Apple Cider” to warm the soul

09 Tuesday Feb 2016

Posted by Robert White in Book Review

≈ 2 Comments

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Anthology, Book Review, Christians and the arts, Hot Apple Cider, Hot Apple Cider with Cinnamon

Hot Apple Cider with Cinnamon - coverLike a cup of hot apple cider warming the body on a cold day, the Hot Apple Cider with Cinnamon anthology will warm the soul.

The fourth in the Hot Apple Cider series, the latest volume contains 67 stories – some true, some fiction and a few are poems – all based around the theme, and subtitle, of “finding love in unexpected places.

In the foreward, author and speaker Sheila Wray Gregoire explains the theme: “Real love is seeing your neighbour, your family and your friends with new eyes. It’s deciding to laugh, to love, to live in the knowledge that pain in the world is inevitable, but love is a choice.”

For those unfamiliar with the series, it started in 2008 as a partnership between World Vision Canada, The Word Guild and That’s Life! Communications. The Hot Apple Cider anthology featured the work of 30 Canadian writers who are Christian and was, initially, part of a package of gifts given to those attending a World Vision Canada-sponsored event – as well as being distributed through traditional channels eventually reaching best-seller status. This success spawned A Second Cup of Hot Apple Cider and the shorter anthology A Taste of Hot Apple Cider.

Hot Apple Cider with Cinnamon is as comforting as an old quilt

With the format set – think of a Christian version of Chicken Soup for the Soul – readers will find Hot Apple Cider with Cinnamon as comforting as an old quilt. There are stories that will make you laugh like “The ‘Other’ First Prize” by Martin Smith or “Kosovo Canteen Concert” by Adele Simmons. There are stories that will make you cry like “Mother, Go Gently” a poem by L. June Stevenson and “Until Death Do Us Part” by Ray Wiseman. And a few that will make you laugh and cry like “Champ!” by David Kitz and “The Cat We Didn’t Need” by Ruth Ann Adams.

There are a couple of significant strengths Hot Apple Cider with Cinnamon. The first is the richness created by the variety of voices used and tales told. The second is the rigorous selection and editing process which has honed the stories into polished gems.

So grab a cup of your favourite warm beverage (hot apple cider preferred) and curl up with Hot Apple Cider with Cinnamon: Stories of Finding Love in Unexpected Places and prepare to have your body and soul warmed.

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For more information on Hot Apple Cider with Cinnamon or any of the other Hot Apple Cider anthologies go to http://thatslifecommunications.com/hot-apple-cider-books/

To listen to an Arts Connection interview with That’s Life! Communication’s (and Hot Apple Cider co-publisher) Les Lindquist go to http://tinyurl.com/j7ml3dx

Author’s patience, efforts make “Bomb Girls” a fascinating read

06 Wednesday Jan 2016

Posted by Robert White in Book Review

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Barbara Dickson, Bomb Girls, Book Review, Canadian culture, Canadian history

Bomb Girls coverMost of the buildings on the 346 acres of land in Scarboro have disappeared. But from 1941 to 1945 the area running south from Eglinton Avenue to Hymus Road and west from Warden Avenue to Birchmount Road in the modern-day Toronto suburb of Scarborough, Canada’s largest munitions factory employed more than 21,000 people (most of them women) who produced more than 256 million pieces of munitions.

After stumbling onto this little-known episode of Canadian history in her own back yard, Scarborough, Ontario author Barbara Dickson spent a decade researching and writing Bomb Girls: Trading Aprons for Ammo which was released last year.

Once Dickson found out about some mysterious tunnels under some of Scarborough’s businesses, her writer’s curiosity led her down a path where she discovered the General Engineering Company (GECO, pronounced gee-ko) munitions plant. It took a decade to uncover the story because much of the historically-vital information has been lost. As a government-sponsored munitions factory, most of GECO’s paperwork was destroyed or deem classified when the factory was decommissioned in 1945.

Dickson’s patience and efforts make Bomb Girls a fascinating read.

Through painstaking research, Dickson was able to track down what remained of memos, letters and photos that are part of private collections. She was also able to connect with former employees, some of whom refused to share their story, feeling the oath of secrecy they took while working at GECO was just as valid today as it was during World War II.

Dickson’s patience and efforts have resulted in a fascinating read. I’ve been a Canadian history buff as long as I can remember, but I’d never heard of the GECO plant before seeing some of the promotional material for the book. Dickson’s experience as a writer (she’s also a novelist and journalist – which is where I connected with her) shines through. She deftly weaves the factual aspects of a military munitions factory with the personal stories of those whose daily lives revolved around making, what they thought, was a small contribution to the war effort.

Two aspects of the book disappointed me. The first was some repetition of facts, figures and quotes. While this was done to maintain the narrative and remind the reader of the importance of GECO’s work, I found it somewhat irritating

The other, which most people wouldn’t miss, was the lack of footnotes in the hard copy of the book. Dickson explains, in the book, that including the copious notes (the sign of a well-researched book) would have increased the book’s size and cost. Both she and the publisher (Dundurn) decided to post the notes online for those who wanted to reference them.

But those are minor points that shouldn’t detract from this wonderful look at a little-known episode in Canadian history. It’s well worth picking up and reading.

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For more information on Bomb Girls: Trading Aprons for Ammo check http://www.barbaradickson.ca/

To listen to an interview with author Barb Dickson, tune in to Arts Connection Monday, January 11 at 9:30 p.m. ET on 94.3 Faith FM or listen to the simultaneous webcast at http://faithfm.org

 

You’ll look at Christmas differently after reading “The Yuletide Factor”

27 Friday Nov 2015

Posted by Robert White in Book Review

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Book Review, Christmas, Homelessness, poverty, The Yuletide Factor, Tim Huff

Yuletide Factor - coverNormally, I don’t review a book until I’ve finished reading it. But because of the subject matter, and time of year, I’ve decided to make an exception for Tim Huff’s The Yuletide Factor.

For close to three decades, Huff has ministered to, and been ministered by, street-involved youth and adults and has become one of the Canadian Church’s leading resources on poverty and homelessness. Huff is also a musician (performing with the band Outrider) and an artist whose work has graced the pages of the Compassion series of children’s books The Cardboard Shack Beneath the Bridge, It’s Hard Not to Stare, and the forthcoming The Honour Drum (co-authored by Cheryl Bear).

The Yuletide Factor is the third in a series of books that Huff has written about his experiences in street ministry: Bent Hope: A Street Journal and Dancing with Dynamite: Celebrating Against the Odds. Each of these books have introduced us to a number of people that have been touched by Huff’s care and compassion as he shares in their physical, emotional and spiritual needs. They also tell how these people, in spite of their own struggles with poverty, homelessness or sexual exploitation, have touched Huff’s own life.

The Yuletide Factor parallels the themes of poverty and homelessness with both Scripture and many of the cultural stories now part Christmas tradition

His latest book, The Yuletide Factor, touches on many of the same themes while, at the same time, noting the parallels between those themes and the Christmas narrative…whether the traditional Scriptural account of Jesus’ birth or the cultural stories that have become so much a part of North American Christmas tradition.

The Yuletide Factor also seems to be the most personal of Huff’s trilogy. Among the examples of his own story are:

  • His re-telling of how his annual stint as a Christmas Eve Santa for friends and family takes a poignant turn in a nearly-empty laundromat.
  • His tale about spending his teenage years years selling Christmas trees, leading to a new appreciation for retail workers during the Christmas season.
  • The memory of a Kindergarten craft for Christmas reminds him, and the reader, about one of the most down-to-earth needs of those living on the street.

As with Bent Hope and Dancing With Dynamite Huff has collaborated with other voices who share in his compassion and care for those in need. Television personalities Moira Brown and Lorna Dueck bookend The Yuletide Factor with their foreward and benediction. Singer/songwriter Steve Bell and Greg Paul (pastor and founder of Sanctuary Ministries) provide interludes to Huff’s narrative. And, after finding out that his previous two books were being used for study and discussion, Huff asked Ann Brandner to provide a reflection and discussion guide for each chapter.

Huff has the ability to write about crucial issues with care, compassion and, in some instances, humour…without laying on the guilt. But his stories do carry a sense of urgency and need, leaving many readers wondering if they are part of the problem and asking how they can become part of the solution.

The Yuletide Factor will have you looking at Christmas in an entirely different way. Maybe that’s why the book has been subtitled: Cause for Perpetual Comfort and Joy.

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For more about The Yuletide Factor: Cause for Perpetual Comfort and Joy check http://tinyurl.com/jsk2wo8

 

 

 

Three items you need to add to your must-buy list

19 Thursday Nov 2015

Posted by Robert White in Book Review, CD/Music Review

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Book Review, CD Review, Christians and the arts, Christians in the Visual Arts, Folk/Roots music, Galleries, J. Scott McElroy, Resources

Welcome back. Yes, I’ve been busy. No, I haven’t posted for a while. And, sorry for not meeting my self-imposed deadlines and keeping up to date with this blog.

But I’m back. While my schedule isn’t completely clear (Meet You at the Manger is in full-blown rehearsal mode and I’m still working on memorizing my lines), I do intend to keep up with the blog on a regular basis.

With this post, I want to catch up on three items that have come to my attention that need to be on everyone’s must-buy list:

SMRTdigipak_template_0.5mmlower_11by17_TEMPLATEKarla Adolphe – Live at the Space

Alberta singer/songwriter Karla Adolphe’s (http://www.karlaadolphe.ca/#!home/mainPage) latest release is a five-song EP recorded live at The Space, a recording studio in Red Deer, Alberta.

Anyone who has heard Adolphe’s previous releases, Honeycomb Tombs and Lingering, along with her work with The Emporiums and Jacob and Lily are familiar with her sweet voice and intricate guitar work. Live at the Space showcases a maturing artist and songwriter through a crisp production, that includes a tight studio band whose accompaniment supports Adolphe without overshadowing her.

The opening track, “Trouble Won’t Go” is probably the most poignant and personal. The song’s opening lines, “Trouble won’t go and peace won’t stay/Oceans roar and levy break,” harken back to the 2013 flood that devastated her home, and hometown, of High River, Alberta. It’s also the only song on the EP Adolphe didn’t write.

My personal favourite is “Child of the King,” the EP’s final song, which presents a joy and hope that juxtaposes the pessimism of “Trouble Won’t Go.”

The only problem with this EP? It’s too short. One can only hope Adolphe is working on more songs and a full-length CD is forthcoming.

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Creative Church Handbook – J. Scott McElroy

Creative Church HandbookAnyone thinking about starting an arts ministry in their church, or even those who have started one, needs Creative Church Handbook by J. Scott McElroy, the Indianapolis-based director of the New Renaissance Arts Movement (http://jscottmcelroy.com/).

The book, subtitled Releasing the Power of the Arts in Your Congregation, methodically presents both a biblical and practical rationale for the place of the arts in churches. Through interviews, e-mail conversations and personal experience, McElroy provides real-life examples of individuals and churches making an impact on their congregations and communities through the arts in all its forms.

This isn’t a book where Canadians have twist themselves into knots tying to figure out how American examples can be translated into the Canadian context. McElroy provides examples of Canadian churches releasing the arts and artists for ministry

An added benefit is the myriad of web-based resources McElroy provides, which couldn’t be included in the book.

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Seeing the Unseen: Launching and Managing a Church Gallery – Sandra Bowden and Marianne Lettieri

Seeing the Unseen - coverPublished by CIVA (Christians in the Visual Arts http://civa.org/), Seeing the Unseen is a step-by-step handbook for those who want to display art in a church gallery setting. Starting with the basics of defining what kind of gallery program you want to have, the book also explores the details of how to exhibit, hang and light paintings and how to engage viewers.

This comprehensive guide can seem overwhelming, but for churches truly interested in engaging their congregation, and the general public, through art, Seeing the Unseen is book to have.

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